Tumbbad – Movie Review

Tumbbad is a mysterious movie which is least expected from the Bollywood. No stars, no big names here, but the story turns out to be the star itself. The movie directed by debutant Rahil Anil Barve opens up a creepy mysterious world that has become alien to the Bollywood for quite a long time.

The film, based on a Marathi story written by Narayan Dharap, is set in a rural village in Maharashtra and spans over a period of three decades from 1918 to 1947. The plot revolves around the hunt for an ancestral treasure hidden in unknown recess in a dilapidated mansion.

Along with the hunt for the treasure the story takes you through the greed of mankind. The fear of uncertain and unknown lurk around through out the movie. The movie builds on the village legend that, Hastar, the first and most beloved child of goddess of prosperity tries to gather all the gold and grain which infuriate other gods. They attack Hastar, but the goddess hides his son in her womb and agrees to the condition that nobody worships Hastar anymore. Somebody in the village builds a temple for Hastar and worships him for the lust of the hidden gold which infuriates other gods who curse the village with incessant rain.

A young boy, Vinayak, sets his eyes on the treasure hidden somewhere in the mansion. His mother forbids him even to talk about the treasure as it is a cursed one. The family abandons tumbaad and migrates to Pune after the death of Sarkar (Local Zamindar). The mother makes the son promise that he will never set foot in Tumbaad again. But the greed for the treasure makes him return to the village after 15 years. Vinayak finds the Dadi still alive although in a skeleton form. He learns the way to the treasure from her and set her ablaze to give her mukti.

Vinayak becomes richer and richer after every visit to the mansion. His life style changes dramatically, he visits brothel and have a mistress. As the time goes by Vinayak gets older and finds himself unable for the arduous task of unearthing the treasure. He trains his son for the task. As the story progresses, the son become more greedier than the father and that leads to a catastrophe . The climax scene was brilliantly shot where the monsters kept coming one after the another that left Vinayak and his son helpless.

The film emphasizes that the human greed has no limit. The lust for money and women predominates the protagonist of the movie which eventually leads to his downfall.

Sohum Shah plays the lead and has essayed the role convincingly, but one feels he could have shown more emotions. His son played by Mohammad Samad was another notable performance. On the hindsight the movie could have been made much better. The director could have further explored the psyche of the main protagonist. The wife played by Anita Date was reduced to just another typical housewife.

India has a rich tradition of classical tales. It just surprises that how we ignore those gems and make sub standard movies. The credit goes to the director, Rahil Anil Barve for unearthing one of the gems. The film is beautifully shot by Pankaj Kumar capturing the drenched land scape and the “womb” of the goddess with equal aplomb. The movie is made on a meager budget of Rs.5 crore and reportedly collected around Rs.13.75 crore. It is a welcome relief from the pompous and chest thumping duds like 2.0, Thugs of Hindustan or a Zero. It certainly deserves a more wider audience.

Film Release Date: 12.10.2018. Now available in Prime video

Producers: Sohum Shah, Anand L Rai, Mukesh Shah, Amita Shah

Screen Play: Mitesh Shah, Adesh Prasad, Rahil Anil Barve, Anand Gandhi

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ZERO MOVIE REVIEW

No surprises here. As expected the movie failed to live up to the expectations. It is not even an average movie. It is a damp squib which insults the intelligence of the audience.

The story revolves around Bauua Singh (Sha Rukh), a 38 year old dwarf, a good for nothing fellow based in Meerut who does nothing but splashes his fathers earnings, roam around the city with his friends and obsessed with a Bollywood starlet, Babita Kumari (Katrina Kaiff)

A marriage broker sets up a match for Bauua with a space scientist Aafia(Anushka Sharma) who is physically challenged an bound in a wheel chair. After the initial altercation the two fall in love and decides to get married. A chance meeting with Babita Kumari and a kiss on the middle of the road change the course of the life of Bauua Singh.

On the weding day, Bauua is informed that he was selected for a dance completion and the winner will get a chance to meet Babita Kumari. He runs away from the marriage hall. He wins the completion and gets a chance to meet Babita Kumari. The life of Bauua changes forever. He becomes a part of Babita kumaris team and accompanies her everywhere. Another altercation and Babita Kumari throws him out of her home. He yearns to return to Affia, who is in USA and works for the worlds largest space research centre. Bauaa and his side kick packs their bag and fly to USA to meet Aafia.

Here onwards the director looses the grip and takes the story to preposterous level. The final slap on the face of the viewer is Bauua’s return from space after 15 years.

Zero turns out to be another disappointment of 2018 after Thugs of Hindostan and 2.0. The story is pedestrian, the plot is hackneyed, the direction is amateurish at the best.

To be honest, Shah Rukh, Katrina and Anushka gave their best, but the director failed to put up a decent plot and a convincing story line.

Anushka’s performance stood out and needs an applause. Surprisingly Katrina gave a good performance especially in the inebriated scenes’. Sha Rukh Khan once again proved that why he is still labelled as the king of romance. He exuded warmth and charm through out the movies. But he needs to choose his movies well. More than the movie he should choose the directors well. Otherwise he will be dethroned as the Badshah of Bollywood soon.

According to the trade reports, Movies has collected Rs.20 crore on the opening day, way below the expectations. Movie would well recover the initial cost because of the wide screen releases and the week end crowd. Even if it fails, the PR agents will prove that the movie is a hit by their constant feeds of inflated figures. At the end it is the public who are the losers.

Movie lovers in India deserves a better product Their intelligence should not be insulted. They have every right to sue the director Anand L Rai & Gauri Khan for refund of the money they paid for the movie ticket.